The Killing Season has many “truths”

Updated June 24 2015 - 11:02am, first published 10:19am

AT the dark heart of Akira Kurosawa’s 1950 masterpiece Rashomon is the killing of a Samurai and the rape of his wife. Rashomon retells the same story four times by unreliable and self-serving narrators. As the film closes, we are no nearer to finding out what happened in the woods, nor discerning which “truth” is real.

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